Shakespeare

Non-Narratives in Film: Christopher Eccleston in "Othello"

This blog entry will make no sense unless you watch THIS first.

If you recall Chapter 4 of Story and Discourse, Chatman delineates a few examples of "non-narrative" discourse, where an omniscient narrative voice is eschewed for a more intimate perspective of a character's thoughts. Instead of watching a story unfold from the perspective of an external narrator, the reader (or audience) is immersed directly into the character's consciousness.

Specifically, Chatman describes a soliloquy as:  read more »

  • The character speaks
  • Either he's alone, or his direct surroundings are unaware of his speech
  • Traditionally, he faces the audience
  • The audience may be anonymous, in that the speaker may not always name the audience
  • The style and diction is typical of the character's normal language
  • The content reflects the character's situation
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